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writings/interviews

the interaction of tone

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please contact
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if interested in purchasing
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or would like
more information
(not everything
is uploaded)


orchestral / large ensemble

cumulus totalitas

orbis ascendentes

portions transparent/opaque

branches

dilations

tone/noise (emergence patterns)

ensemble

curvo totalitas

color residua

parallaxis forma

overlay/smear

pulse/shade

material/highlight

overlays transparent/opaque

noise/tone variations

in/gradient

matter/moving

line/shadow

periphery (for two)

the field (for agnes)

curve study

nodes, various

three bodies (moving)

shapes of 3 and 5

string quartet

slice (richard serra)

splitting (imagination piece)

bass guitar piece for adam overton

grow (out)

diffraction

invisible line

alchemy/bloom

constellation piece

solo/duo

muto infinitas

point/wave

point/totality

frame/frames

steel shadow study

for pedal steel and bass

tracing I & II

shade/gradient

(in) tone

tone/noise (emergence patterns)

periphery (for two)

of animal

tanpura/contour

shade/cross

cross/collapse

middle/moving

two lines, together

stones, shades (for mark so)

parallel/moving

slice (a microscore)

in passing/parallel

open-scape

parallel study/sequential

as two...or three...or four...

simadhi for simplified violin

heart

as one

dove

mirror

a dandelion. a brain.

homage to a sparkly planet

electronic

curvo totalitas

tracing I & II

shade/gradient

in/gradient

matter/moving

layer/cut

untitled 12 (after Agnes)

tone/layer

tone/noise

periphery (for two)

tanpura/contour

shade/cross

cross/collapse

nodes, various

middle/moving

voice

color residua

parallaxis forma

pulse/shade

shade/gradient

periphery (for two)

the field (for agnes)

of animal

curve study

shapes of 3 and 5

two lines, together

branches

dilations

as two...or three...or four...

organ and string orchestra; 7', 2016

qanun and chamber orchestra; 18', 2016

string orchestra, full brass, and timpani; ~18', 2014

9+ mid-upper range voices; ~15', 2009/10

3 upper range male voices, 3 violoncelli, and 3 bass clarinets; ~40', 2008/09

9 strings (various); 15', 2008/2011

2012

tam-tam, steel sheet, and two synthesizers; 22', 2016

2 voices, 2 violas, cello, and contrabass; ~40', 2016

voice, fl, b. cl, a. sax, glasses/bowls, e. guit, vln, cello; ~40', 2016

brass sextet (c tpt, Bb tpt, sop. tbn, alto tbn, tenor tbn, tenor tbn with attach.); ~12', 2015

4 similarly ranged voices; ~15', 2014

c. bass, two violas, and various wind, brass, organ-like, or electronic instruments; ~40', 2013/14

a. flute (and flute), a. sax, viola, 'cello, e. guitar, trombone; ~20', 2013

7+ high sustaining instrumentalists; 41', 2012

double bass, viola, trombone, electric guitar, oscillators; ~55', 2012

double bass, trombone, and oscillators; ~25', 2011

open instrumentation; ~25', 2011

2 voices with open instrumental/electronic accompaniment; ~10' /~40', 2011

voice, flute, clarinet, viola, and double bass; ~15', 2011

7+ voices, 2010

3+ oscillators, 2010

violin, cello, and bass clarinet; ~40', 2009/10

5+ voices; ~15', 2009

string quartet; ~50', 2009

3 violoncelli; ~3', 2009

english horn, electric guitar, and harmonium; ~8', 2008

3 or more electric bass guitars, 2008

5 bowed strings or 4 bowed strings with e-bow guitar; ~40', 2008

alto flute, english horn, clarinet, violin, viola, cello, and contrabass; ~15, 2007

1 violin, 2 violas, 2 violoncelli, and 1 double bass; ~30', 2007

bass flute, viola, contrabass clarinet, and double bass; ~20', 2006

open, 2006

2012

microtonal bass flute and contrabass; ~55', 2016

guitar and environmental chord cycle; 40'+, 2015

two pedal steel guitars; 15', 2014

bass recorder/flute and violoncello; 12'/15'/30', 2009/13

viola and lapsteel/pedal steel; 20', 2013

pedal steel and doublebass; 20', 2013

(with Bryan Eubanks) viola and tuned white noise; 47'/55', 2012/13

viola, voice, and oscillators; ~30'/~55', 2012

violin duo; ~15', 2011/12

viola (9 multi-track overlays); 15', 2011

2 voices with electronic accompaniment; ~10' /~40', 2011

viola and voice (solo/duo); ~10', 2011

viola and oscillators; 30', 2011

2 violas and oscillators or viola, bass, and oscillators; ~45', 2011

viola and oscillators; 40', 2010

viola and oscillators; 40', 2010

various duos, 2010

some stones, 2009

two violas; ~20', 2009

violin and violoncello; ~1', 2008

2 violins or 2 violas; ~15', 2008

violin solo; ~10', 2008

viola and 2 speakers; ~15', 2008

any bowed, string instrument in the range of your voice, 2008

all e-string violin, 2007

viola and cello; ~5', 2007

violin duo; ~10', 2007

viola solo; ~30', 2006/07

contrabass solo; ~15', 2006

violoncello solo, 2006

piano and flute; ~12', 2006

2012

tam-tam, steel sheet, and two synthesizers; 22', 2016

(with Bryan Eubanks) viola and tuned white noise; 47'/55', 2012/13

viola, voice, and oscillators; ~30'/~55', 2012

double bass, viola, trombone, electric guitar, oscillators; ~55', 2012

double bass, trombone, and oscillators; ~25', 2011

standalone application; ~45', 2012

(with Bryan Eubanks) standalone application; 1hr, 2011/12

standalone application; ~40', 2011

viola (9 multi-track overlays); 15', 2011

2 voices with electronic accompaniment; ~10' /~40', 2011

viola and oscillators; 30', 2011

2 violas and oscillators or viola, bass, and oscillators; ~45', 2011

viola and oscillators; 40', 2010

3+ oscillators, 2010

viola and oscillators; 40', 2010

2012

2 voices, 2 violas, cello, and contrabass; ~40', 2016

voice, fl, b. cl, a. sax, glasses/bowls, e. guit, vln, cello; ~40', 2016

4 similarly ranged voices; ~15', 2014

viola, voice, and oscillators; ~30'/~55', 2012

2 voices with open instrumental/electronic accompaniment; ~10' /~40', 2011

voice, flute, clarinet, viola, and double bass; ~15', 2011

viola and voice (solo/duo); ~10', 2011

7+ voices, 2011

5+ voices, 2010

various duos, 2010

9+ mid-upper range voices; 12-15', 2009/10

3 upper range male voices, 3 violoncelli, and 3 bass clarinets; ~40', 2008/09

any bowed, string instrument in the range of your voice, 2008