Three live recordings of an electro-acoustic work developed and performed in 2013. A mesmerizing fusion of sine tones, open-circuit electronics/feedback, samples, and tuned noise, these structuralist compositions navigate the intersection of compositional rigor and the spontaneous energy of live performance. Captured during a double solo tour across the Northeastern USA alongside Hong Chulki in February 2013.
The acrylic and spray paint covers were made on 350g paper and polyvinyl sleeves for the limited run of 50 CDs by Tim Bradley: